

Not much to say about internal AD/DA conversion since I didn’t use it much.
#WHAT YEARS WAS THE SOUNDCRAFT GHOST 32 MADE PATCH#
Included in the package: 2 Behringer Ultrapatch Pro PX 3000 Patch Bays, 4 20' TRS snakes, 2 16-input Insert snakes, and one 12 unit rack cabinet in black. Preamps - very clear with a pinch of a “spark”, EQ’s surprisingly effective, routing is actually quite elaborate for a size of a console, places the unit well into home studio environment, even the ambitious one. FOR SALE: 32 Channel Soundcraft Ghost Recording console (NOT the LE - this is the higher-end recording desk) 8 busses, with automation Meter bridge Argosy studio desk and Power unit. So it’s good enough to sweeten the monitor feed while recording and not much more, really. Only “power” LED gives away that unit is running.įX section is decent, but not stunning - audible hiss and narrow modification field limits the use, also a fact that unit doesn’t remember even the last setting - after powering off you’re back to initial. I'm super happy with this mixer (although I really miss the M-312b I traded for the M-520). When internal FX module is muted virtually no hum or hiss is generated by the device itself. ITS A BIG TASK FOR A MIXER TO KEEP IN TOUCH WITH ALL OF THAT - WHICH IS WHY SOUNDCRAFT CREATED GHOST, THE ULTIMATE AFFORDABLE ANALOGUE RECORDING CONSOLE. After the rather traumatic experience of purchasing a completely useless M-520 to go with my TSR-8, I settled on a Soundcraft Ghost 24 (not LE).

The Lindells are a budget-series, but anyway - I bought the Soundtracs for the price of two Lindell-stripes. Compared the EQ to Lindells PEX-500 as well, and the Lindell was smashed. Used as a center of a home studio for monitoring, routing and recording (via external interface) gives great deal of a good sound and decent functionality.īiggest surprises are definitely transparency and how noiseless the unit actually is. The Soundtracs preamps made some of my mics sound fatter, especially some of my capacitors.
